Please Pass the Country Music (Part 3 in a Series)

This one’s dedicated to all my friends who live in Texas.

This is Part 3 in a 5-part Book Excerpt Series in the run-up to Orphan Sunday on November 8. Today’s excerpt is from a chapter entitled “Relentless Father.” Stay tuned for details before the end of the series on how you can pre-order your own copy of Lily Was the Valley: Undone by Adoption.

* * *

Tammy and I grew especially close to Yao Shu Ting, a ten-year-old girl that over time we came to call our “gan daughter,” something like an informal goddaughter. Yao Shu Ting was not a girl we could have ever adopted, not that we ever discussed it seriously. None of the orphans we worked with were adoptable, certainly not internationally. None had the paperwork, nor were they ever likely to.

We’d been visiting Yao Shu Ting for almost two years before an aunt in town, who I’d also only just learned about, dropped a bombshell on us when she mentioned that the parents weren’t dead, you know. No, I did not know. Horrified, we strove to imagine what could lead parents to abandon their own nine-year-old to live on her own. We later learned it was a baby brother. They could only keep one of them.

We were never going to be like parents to Yao Shu Ting. It didn’t matter how much compassion and fondness we had for her, two or three visits a year did not make us significant people in her life. Part of us wished we could bring her to live with us. But not really, as that would have been quite difficult on her. What she really needed was a local family to take her in as one of their own. Still, we wished our connections could have been more frequent, and more significant. But in the end we were only two more in a long line of the well-intentioned but ultimately non-providers of all she truly needed, destined to recede into the background.

One time we did have the privilege of hosting Yao Shu Ting for a few days in our home in the big city. She was there for an appointment with an eye specialist, but it seemed like her visit was over almost before it started. She was missing her regular life. Our loud house had to feel foreign and uncomfortable compared to her normal solitude. It was time to take her home. I would accompany her on the ten-hour bus trip the next day.

I have fond, almost fatherly memories of Yao Shu Ting from that trip. Without Tammy and the kids around she did even less talking than usual. I tried chatting for a little while, but it was easy to see we both preferred the silence of looking out the windows. At lunch, we ate our instant noodles squatting side by side in the dirt next to the bus. I am squat-challenged. Maintaining that position for a whole meal worked up an appetite almost faster than the incoming noodles could compensate for.

The farther we got from the city the poorer the roads got. And more mountainous. On one of the stops to add water for the brakes, I went inside the roadside store to find spicy peanuts or spicy dried tofu. Packaged pickled chicken feet caught my eye, and on a hunch I bought one for Yao Shu Ting. Had I had known how fast she’d gnaw it clean, I’d have bought her half a dozen. I sampled a bite when she offered it, but I’ve never been able to nibble those things without having uncomfortable visions of their previous life tramping a chicken yard. I was happier enjoying my gan daughter’s lip-smacking instead. I got pensive as I watched her, and thought about her life, trying to imagine what it must be like. I couldn’t. The dissimilarities between her and me at age twelve were too great. It was those gaps, more than her shyness, more than my standard, unnatural Mandarin and her Sichuan dialect, that hindered conversation. We were from different worlds.

She finished the foot and I offered my headphones for a listen. The flavor of the moment happened to be Bryan White, the Dixie Chicks, Colin Raye. In my youth, such a genre would not have been found in any music device in my vicinity. In fact, in 1980’s suburban Chicago I can recall hearing no answer to the question, “What kind of music do you like?” more often than I heard, “All kinds. Except country.”

Funnily enough, the first place I moved after marrying a girl from Pennsylvania was Texas. I had grown up traveling extensively every summer because my dad was a high school math teacher, but I’d never traveled south. I didn’t even have a frame of reference for a place like Texas. On our move down, we hadn’t even exited the southern end of the state in which I’d spent my entire life before Tammy and I started hearing a dialect of English I’d only ever heard on television. Once we hit Texas the culture shock was complete. I wouldn’t be that traumatized when we went to teach English in Taiwan three years later.

Texas seemed unaware that there were kinds of music other than country. Country music played in the mall, it psyched the stadium, it headlined the fair, it blared from every car. Or would have, had there been any cars. We had a car, but everything else on the road was a pickup truck. And, as we were the Yankee morons who had brought down a car without a working air conditioner, our windows were always open and we could hear everyone else’s music that much better. We had cassette tapes of non-country music, but they caused more rubbernecking than our rolled-down windows, or  melted in the heat. We left them home.

Amazingly, we adjusted. Culture shock wore off, my stereotypes faded, and Texas became home. And I’m fixin’ to tell y’all, it changed us more than we changed it, that’s for dang sure. That day on the bus with Yao Shu Ting, the country music I offered her had been put there by me. But now it was her turn to react for all the world like she was from 1980’s suburban Chicago. She took those headphones off in less than five seconds.

“No, wait, Shu Ting, try this next track. How about that?”

Her face politely grimaced a thanks but no thanks.

Maybe it was just foreign music in general she didn’t like. I switched genres. There went that theory. Her eyes lit up at a little-known group playing self-titled “astro rock.” She waved her hand furiously at me to stop, and that was the last I heard from her. She listened contentedly through both their albums until we arrived.

I may have lived seven years in Texas and have twang-appreciative kids of my own, but one unchanging truth had just been established: I would forever have at least one daughter who would never be a fan of country music. We got off the bus and I walked my gan daughter across the parking lot to her aunt. I passed her off with smiles and waves. And more than a little unease about what the future held for her.

I never saw her again.

We’ve never stopped trying to find her.

 

 

Because Kids Change Flying

Risk comes from not knowing what you’re doing. 

-Warren Buffett

 

I remember what the old days were like. Leisure and bliss, that’s what. Stroll down aisle. Find seat. Arrange optimal carry-on access. Sit. Close eyes. Nap? Or read. Gaze out the window. Yum, is that airplane food I smell? (My wife says I’m abnormal for looking forward to meals on planes.) Nap or read some more. Listen to music. While eating. Or reading. Go crazy and do all three. Land. Stretch, grab carry-on, deplane, arrive. Refreshed.

That was life before Enoch. After he came along, our first flight was home for Christmas when he was five months old. In those days, just getting out of the house with him was a challenge. Doing it with luggage and then having to check it all in at the airport? It hardly felt familiar to anything I’d done before. We had way too much stuff. I started getting flustered as we stumble-bumble-fumbled through security. Up went the stress a few more notches when I looked at the time and saw we would have to hurry if we were going to make it. I tried to think what day it was, and if it was the same one we’d left home on. As we speed-clunked to our gate with our carry-ons, I felt irritated with every person standing remotely in my way. We arrived to find the flight had already boarded. The airline staff took our stubs and hustled us through.

We arrived at the mouth of the plane aisle, and panic set in. I squinted toward our seats. Had nobody seen all our stuff? Why hadn’t we been pre-boarded?

Oh right, late. But how are we supposed to get all this stuff back there? And another thing, what is WRONG with us? People have been having kids since like forever—it doesn’t seem it should be this hard. 

I glanced at little Enoch’s face. Oblivious.

Buddy, you cannot walk, you cannot talk, and bringing you has turned this into something like no other trip I’ve ever taken.

Babies, who really cannot do anything that might be called…useful, have luggage and accessory requirements rivaling those of a touring Maharaja. I was baptized that day. In spite of having been warned ahead of time by more people than I could count, I came to know deep in my soul right there on that plane: my life really was never going to be the same. Sure, the change kids make would grow to become an expected, welcome part of life, a humorous familiarity, a point of commonality with friends and strangers alike. But that day was revelation itself as The Question was born. I came later to call it The Mantra Question. No father forgets his first encounter with The Mantra Question:

How can one…little person…require 

all 

this 

stuff?

We pushed, pulled, lifted, and wrestled Mr. Maharaja’s stuff down the aisle. A stroller (you could bring them in those days!), Tammy’s carry-on, Tammy’s purse, the diaper bag, a toy bag, loose toys, Enoch’s blankie, Enoch’s carry-on, a sippy cup, my carry-on. I vowed the next time to get serious. Either go all the way and bring that kitchen sink, or else eliminate my own stuff entirely. If I couldn’t wear it, I would leave it. Or burn it.

We inched closer to our seats, banging a cadence to my chanting while I willed four consecutive empty overhead bins into being. When at last we got to our row, I checked our seat mates for cobwebs and began formulating a plan for hoisting the stockpile overhead. Then it hit me: the baby.

What am I supposed to do with the baby? 

I had no plan, I had no experience. The floor?

No, I don’t think I can put him on the floor. 

The flight attendants were seating other stragglers. Tammy and I needed all four hands in our scramble to get stowed before takeoff. What was that wonderful smell coming from the galley?

Forget that! Focus.

I scanned wildly for a friendly face. A guy three rows back made eye contact. Good enough. I got to him in one leap.

“WouldyoumindholdinghimforaminutewhileIputawayallhisstuffhaha?”

In later years, in optimistic moods, I would most of the time be almost definitely fairly sure that I had waited for his response before leaving Enoch in his arms.

I was back to Tammy in a flash and we got everything overhead in record time, triumphantly utilizing a final scrap of luggage to wedge tight the travel stroller that had been refusing to stay up. Then I saw her face: vexed. Extremely vexed. Not at falling strollers, but at failing husbands, husbands who passed off offspring to strangers. So I found a bin door latch that didn’t need tinkering and tinkered, which blocked mom’s access to the aisle; she sat. I leapt. I found our son gazing into the wide grin of his benefactor.

“Thanks, man,” I said.

His laugh and loud “No problem” drew chuckles from everyone around.

I plopped my sweating self into a seat at last, and now had thoughts only for my defense. I needed something…witty. To create a diversion, to save my skin in the coming onslaught. But a sideways glance revealed the danger had passed. In spite of her best efforts, the corners of Tammy’s mouth were turning up and she shook her head. The laughter had already saved me.

 

 

 

Today’s excerpt is from chapter “Fabulously Harebrained.”

This has been Part 2 of a 5-part Book Excerpt Series in the run-up to Orphan Sunday on November 8.

Stay tuned for details before the end of the series on how you can pre-order your own copy of Lily Was the Valley: Undone by Adoption.

Thanks for reading!

Submitting is Difficult

If that title brings to mind pictures of a preacher holding forth on the finer points of Ephesians 5…let’s reel that imagination back towards something that makes sense in an author blog:

Submitting to literary agents is difficult.

The difficulty is not in following agency prescription lists: query letter, cover letter, first three chapters, any three chapters, first 10 pages, first 50 pages, platform elements, writing experience, how you heard about us, brief selling points, sales handles, back cover copy… no. The difficulty is elsewhere. 

The difficulty is in the waiting. 

More so than even, I would say, in the rejection. The rejection is expected. I’ve accumulated dozens of rejection letters already in my brief non-career. Each one closes one door. One door that no longer requires my attention.

This week I’m blogging for the other aspiring authors out there. (Don’t they say everyone’s got a book in them?) Expect here no expert advice—that’s out there and necessary! appreciated! But I’ll be content for this to serve merely a breath of air. Think of my words as thoughts from someone just a step or two ahead on the publishing path. Thoughts from, Other Writer, someone possibly every bit as green as you are.

The submission process is looooooooooooooooooong.

Prepare yourself. If you are going to try getting a book published as a nobody, it is going to require a lot of your spare time (or sleep time) and a lot of patience.

Nor should you make the mistake of thinking self-publishing is the easy-peasy, lemon-squeezy shortcut to your dreams. You could pay others to do all the self-publishing steps for you (and put your project in a financial hole thousands of dollars deeper than sales of your book will likely ever match) or you could do all the work of educating yourself about layout, cover design, spine thickness, paper thickness, paper color, fonts, ISBN’s, e-pubs, PDFs, kindle formatting, registering a self-owned publishing company, on and on. Or you could hold your breath until mysterious, publishing-savvy new friends fall out of trees and do everything exactly like you like it for free (which has got to be the least reliable of the three).

I, myself, am not self-publishing, though many who ask, “can I read your book, yet?” ask why not.

Because.

I stuck my toe in the waters of traditional publishing, then slipped my whole cold self into these inky waters, so I can wait. Float here for a bit. Just how many times do you think I will get the chance to write and attempt to publish my first book?†

I know the odds are against me.

I might prune completely and still have nobody notice me floating here.

I’m still gonna try.

Back in January and February, I hired a company to make my submissions for me, and through them I queried 25-30 agents/agencies per month. That company’s services weren’t cheap, but I do credit them with showing me how it was done and getting me started, which is nothing to sneeze at. I call those mad days my “shotgun” submissions.

These days I’m selecting my own submission targets, calling these my “rifle” submissions since I research, rank, and particularly choose each agency/agent. Last week I queried three, which some experts say is quite enough at one time. For, should a full manuscript be requested, it’s very possible a several-weeks’-long period of “exclusivity” will be required as well, in which I’d be bound to not give the manuscript to anyone else. 

Which seems a little like—if the logic indeed is to move me towards avoiding too many agents asking for my manuscript all at once—insisting we throw in just one fishing line instead of a dozen, plus a net and a stick of dynamite, when everyone knows the lake was all but emptied of fish years ago.

But such is the prevailing logic, I guess, so other than last week’s three and Jan-Feb’s shotgunners, there’s only been one other agent I’ve queried so far. I wrote her back in May, and the 8-week wait-window has just ended. Now, an agent can always reply after that window has closed, but when the website says, “You can assume after 8 weeks that we’re not interested in your project,” it doesn’t give a realist much reason to hope.

Plus, it was hard enough checking email during those 8 weeks—who needs to pile on the additional annoyance of nursing hope beyond the 8 weeks? Though I guess I’ve just now given myself three fresh reasons for barely-hopeful checking each morning, haven’t I? Just this morning there was an email with “Submission” as the subject line.

It was a soliloquy on Ephesians 5.

Kidding.

It was a rejection letter. A form letter, as most of them are. A leftover from my February shotgun submissions.

I wish everyone would send a rejection letter, though. It’s far easier to bolt a door shut than to, day after day, have your mind’s periphery jump at every squeak, every shaft of light, and forever be wondering if someone’s on the other side of that door about to push it open…

If I’ve learned one surprising thing on this journey, it’s that publishing books is about many things before it is about great writing. Of course compelling writing is fantastic, but it’s far from a necessity. Only one criterion makes it into that category:

Sales.

If an agent can’t see “$$” when they look at your book, it frankly doesn’t matter how well it’s written. Agents weed through endless slush piles seeking the one or two or twenty manuscripts this week or month or year that might have a chance of selling well. Granted, that slush pile is largely garbage, or a few inches north of that, but it contains a lot of excellent writing that will never float its way to the top, either.

Rest assured, however, my certitude (just like absolutely every single author out there) that my own writing is not part of the garbage is unshakeable. Which makes me a little shaky. For I’ve read too many embarrassments who are convinced that poor writing comes only from “other writers, never me.”

But what if I’ve become one of those” peopleReassuringly, just the fact that I asked made me feel better. I don’t think “those” people ever ask.

Anyway…so after an agent contracts with an author to represent their work, (s)he pitches it to (a) publisher(s). I recently read that some publishers publish 1 out of every 1,000 books they’re pitched.

And out of every 10 books that do get published, 9 will cost (lose) the publisher money.

So everyone’s on a mad search for that blockbuster which can make up for all the lost ground. And it cracks me up how many new authors believe they’ve already written it.

Oh, but it’s only the rest of all them that are crazy! If only I could be discovered, they’d realize I really have written the next [The Shack, Harry Potter, whatever].

Hehehe.

The odds against an unknown, non-famous, regular, without-an-online-tribe writer getting published at all, let alone writing the latest bestseller, aren’t worth the mathematical effort it would take to calculate. Of course it happens; we’ve heard about it in the news. But there’s a reason (or rather, hundreds of thousands of reasons, a.k.a. writers) it’s news.

I’m still willing to be patient.

I can do some waiting.

Just not forever. 

Eventually, I will self-publish. Of course I will.

Because I have no idea if the book I’ve written is marketable or not. I don’t know if it’s unique or not. If it’s too similar to some other story that’s been seen before…it doesn’t stand a chance of being picked up. In fact, unless my query letter jumps—screaming, yelling, and carrying sacks of cash—off a computer screen and into the retinas of an agent (who am I kidding? it’ll be one of their assistants), almost every agency I query stands to read exactly zero of my manuscript. Many won’t make the end of the query letter. 

It’s a tough market. Countless writers more prolific and gifted than I have never broken in.

I still say to You, Aspiring Writer:

Write it anyway. 

That book inside you that has never stopped knocking at your mind’s door? That story that never stops nagging you to get it out of your head and down on paper?

Write it.

Go ahead and imagine the worst: that nary a soul beyond a few loved ones ever reads your book.

Still I say, write.

You’ll be glad you did.

I (non-published, unknown, unread, and unnoticed, too) wrote mine.

And I couldn’t be happier.

OK, a full-manuscript request from an agent would still jack the happiness levels out the roof, I admit.

But it isn’t a necessity.

 

 

 

†You were right to check, but it’s as you thought: one